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Piper Hutson

Lindenwood University, United States of America

Title: Minimizing Trauma through Sensory Considerations in Museum Environments: Neurological Connections of the Brain and PTSD Considerations in Neuroarts

Abstract

Museums are increasingly becoming spaces for promoting learning and education about complex topics, including the human brain and neurological conditions. However, museum environments can also be overwhelming and triggering for individuals with sensory processing disorder and those who have experienced trauma, such as those living with post-traumatic stress disorder (PTSD). This paper explores the ways in which sensory considerations can be used to create a safe and supportive environment for museum visitors with neurological difficulties using a case study of an exhibition on neurological connections of the brain.  We review the current literature on PTSD and sensory processing and  highlight the potential triggers that museum exhibitions may pose to individuals with PTSD. We then describe the development and implementation of a sensory-friendly exhibition on the neurological connections of the brain and PTSD considerations. This exhibition features a range of sensory considerations, including low lighting, soothing soundscapes, tactile elements, and the option for visitors to exit the exhibition at any time. 
 
Our findings suggest that sensory considerations can play a key role in creating a welcoming and accessible environment for individuals whose physiology has been altered by trauma. Museums have an important role to play in promoting education and awareness about neurological disorders in a way that is inclusive and trauma-informed. By sharing our experiences, we hope to contribute to the growing body of literature on sensory considerations in museums, and to promote greater understanding and empathy for neurodiverse individuals

Biography

Prof. Piper Hutson has over sixteen years of experience curating at galleries across the country and has co-curated over forty exhibitions during her multiple positions, as well as head curating ten shows in the past five years. She completed her EdD at Lindenwood University with her dissertation work entitled The Role of Education in the Art Viewing Experience, comparing the evolution of learning in museums and corporate art collections. With a focus on 19th c. British art, she is also an adjunct professor having taught a variety of courses for 8 years, both online and on ground. Her current work with improving inclusivity in cultural heritage collections for neurodiverse populations. She has co-authored several works on inclusivity in the workplace and best practices on supporting neurodiversity in cultural heritage institutions.